Stella Douglas papers

Estella Jean Douglas was born in Salem, Oregon on January 21, 1927. At age eleven, Douglas was inspired by what she described as “a flood of creative energy” to begin her lifelong calling to be an artist. In 1944 Douglas planned to enter a five-year degree program offered by Reed College with the Portland Art Museum School, but instead took the opportunity to join the Moral Re-Armament program. Douglas participated as a full time volunteer in MRA from 1945 to 1957, during which time she lived at MRA’s two main headquarters in Los Angeles and Mackinac Island, Michigan. She also lived in London, England and Paris and Caux, France while in the program. Douglas described her experience with MRA as a “multi-cultural learning experience” in which her “global view of life in the world and the nature of humanness took form.” Both during and after her time with MRA, Douglas wrote many personal reflections and letters pertaining to her experience as a participant in MRA and her subsequent reflections on morality, religion, and human nature.

During the 1960s Douglas returned to the United States. She attended San Francisco Art Institute and graduated with a Bachelor’s of Fine Arts in 1969. At the same time, Douglas also attained a degree in Educational Psychology from San Francisco State College. Douglas then went on to pursue a Master’s of Fine Arts in printmaking from the San Francisco Art Institute, graduating in 1971. During her time in school in San Francisco, Douglas describes her participation in the anti-war movement, black rights activism, psychedelia, and the neo-feminist movement. Upon graduating with her Master’s of Fine Arts, Douglas was offered a position in the art department of a midwest university, but upon learning of her father’s illness, returned to Portland, Oregon to care for him until his death.

From 1971 through 1984, Douglas dedicated her time to the care of sick family members, caring for her father, mother, and sister until their deaths. During this time Douglas worked various jobs, including work as a freelance writer and photographer for which she was published in several magazines including the Oregonian. Douglas was actively engaged in areas of the arts, community volunteerism, political, and social and environmental work, on which her freelance writing was focused. Among the specific causes that Douglas was involved with during this time, was the protection of the Oregon coastal environment, feminist and aging issues, and the nuclear weapons freeze movement. Realizing her passion and talent for both art and therapy, in 1986 Douglas applied for and was accepted to the Master’s in Art Therapy program at Marylhurst College. After graduation she applied for and got a job with Mental Health Services West in Portland, where she was working as an Art Therapist at the time of her death. Douglas died in 1993 and is buried in Clackamas County, Oregon.