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Box 17

 Container

Contains 59 Results:

Sandy Brooke Correspondence, 1979-1997

 File — Box: 17, Folder: 39
Identifier: Subseries D
Scope and Contents

The majority of these materials are from Rex and Diane Amos to Sandy Brooke, as well as Jim Brooke. Among this correspondence are an Artspirit article about Henry Sayre, Graham Conroy poetry, and articles on the Stendhal Effect. Materials are arranged in reverse chronological order.

Dates: 1979-1997

Sandy Brooke Correspondence, 1979-1997

 File — Box: 17, Folder: 40
Identifier: Subseries D
Scope and Contents

The majority of these materials are from Rex and Diane Amos to Sandy Brooke, as well as Jim Brooke. Among this correspondence are an Artspirit article about Henry Sayre, Graham Conroy poetry, and articles on the Stendhal Effect. Materials are arranged in reverse chronological order.

Dates: 1979-1997

Sandy Brooke Correspondence, 1979-1997

 File — Box: 17, Folder: 41
Identifier: Subseries D
Scope and Contents

The majority of these materials are from Rex and Diane Amos to Sandy Brooke, as well as Jim Brooke. Among this correspondence are an Artspirit article about Henry Sayre, Graham Conroy poetry, and articles on the Stendhal Effect. Materials are arranged in reverse chronological order.

Dates: 1979-1997

Sandy Brooke Correspondence, 1979-1997

 File — Box: 17, Folder: 42
Identifier: Subseries D
Scope and Contents

The majority of these materials are from Rex and Diane Amos to Sandy Brooke, as well as Jim Brooke. Among this correspondence are an Artspirit article about Henry Sayre, Graham Conroy poetry, and articles on the Stendhal Effect. Materials are arranged in reverse chronological order.

Dates: 1979-1997

Sandy Brooke Correspondence, 1979-1997

 File — Box: 17, Folder: 43
Identifier: Subseries D
Scope and Contents

The majority of these materials are from Rex and Diane Amos to Sandy Brooke, as well as Jim Brooke. Among this correspondence are an Artspirit article about Henry Sayre, Graham Conroy poetry, and articles on the Stendhal Effect. Materials are arranged in reverse chronological order.

Dates: 1979-1997

Sandy Brooke Correspondence, 1979-1997

 File — Box: 17, Folder: 44
Identifier: Subseries D
Scope and Contents

The majority of these materials are from Rex and Diane Amos to Sandy Brooke, as well as Jim Brooke. Among this correspondence are an Artspirit article about Henry Sayre, Graham Conroy poetry, and articles on the Stendhal Effect. Materials are arranged in reverse chronological order.

Dates: 1979-1997

Sandy Brooke Correspondence, 1979-1997

 File — Box: 17, Folder: 45
Identifier: Subseries D
Scope and Contents

The majority of these materials are from Rex and Diane Amos to Sandy Brooke, as well as Jim Brooke. Among this correspondence are an Artspirit article about Henry Sayre, Graham Conroy poetry, and articles on the Stendhal Effect. Materials are arranged in reverse chronological order.

Dates: 1979-1997

Sandy Brooke Correspondence, 1979-1997

 File — Box: 17, Folder: 46
Identifier: Subseries D
Scope and Contents

The majority of these materials are from Rex and Diane Amos to Sandy Brooke, as well as Jim Brooke. Among this correspondence are an Artspirit article about Henry Sayre, Graham Conroy poetry, and articles on the Stendhal Effect. Materials are arranged in reverse chronological order.

Dates: 1979-1997

Sandy Brooke Correspondence, 1979-1997

 File — Box: 17, Folder: 47
Identifier: Subseries D
Scope and Contents

The majority of these materials are from Rex and Diane Amos to Sandy Brooke, as well as Jim Brooke. Among this correspondence are an Artspirit article about Henry Sayre, Graham Conroy poetry, and articles on the Stendhal Effect. Materials are arranged in reverse chronological order.

Dates: 1979-1997

Sandy Brooke Correspondence, 1979-1997

 File — Box: 17, Folder: 48
Identifier: Subseries D
Scope and Contents

The majority of these materials are from Rex and Diane Amos to Sandy Brooke, as well as Jim Brooke. Among this correspondence are an Artspirit article about Henry Sayre, Graham Conroy poetry, and articles on the Stendhal Effect. Materials are arranged in reverse chronological order.

Dates: 1979-1997