Box 3
Container
Contains 97 Results:
Contacts- Names- Addresses, 1985-1993
File — Box: 3, Folder: 14
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1985-1993
Center for the Humanities, 1994 July 12-15
File — Box: 3, Folder: 15
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1994 July 12-15
Strength Thru Diversity - Corvallis Inservice, 1994 July 12-14
File — Box: 3, Folder: 16
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1994 July 12-14
Corvallis Photos by Peter Little - Installations July 11-12 Exhibit Reception, 1994 July 11-12
File — Box: 3, Folder: 17
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1994 July 11-12
Emery Blackwell - Hult Center Correspondence, 1996 April
File — Box: 3, Folder: 18
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1996 April
Emery Taxi Chiaki Photo, 1995
File — Box: 3, Folder: 19
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1995
Patricia Paolucci correspondence, 1992 December - 1996 May
File — Box: 3, Folder: 20
Identifier: Subseries D
Scope and Contents
Correspondence
Dates:
1992 December - 1996 May
Elizabeth Standifer, 1996 April 24
File — Box: 3, Folder: 21
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1996 April 24
Pete Theophanes correspondence/Newsletters, 1996
File — Box: 3, Folder: 22
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1996
Carolyn Stuart, 1996
File — Box: 3, Folder: 23
Identifier: Subseries D
Scope and Contents
Clippings
Dates:
1996