Box 3
Container
Contains 97 Results:
Elizabeth Standifer, 1996 April 24
File — Box: 3, Folder: 21
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1996 April 24
Pete Theophanes correspondence/Newsletters, 1996
File — Box: 3, Folder: 22
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1996
Carolyn Stuart, 1996
File — Box: 3, Folder: 23
Identifier: Subseries D
Scope and Contents
Clippings
Dates:
1996
The Eros of Parenthood, 1996 February 19
File — Box: 3, Folder: 24
Identifier: Subseries D
Scope and Contents
Article
Dates:
1996 February 19
A Kiss is Just a Kiss, Harpers, 1996 February
File — Box: 3, Folder: 25
Identifier: Subseries D
Scope and Contents
Essay
Dates:
1996 February
Buen Viaje Dancers, 1992-1996
File — Box: 3, Folder: 26
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1992-1996
Karen Nelson - Touch Revolution - Giving Dance, 1990-1996
File — Box: 3, Folder: 27
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1990-1996
Diverse Dance - Karen Nelson, 1995
File — Box: 3, Folder: 28
Identifier: Subseries D
Scope and Contents
Clippings
Dates:
1995
Diverse Dance participants, 1996
File — Box: 3, Folder: 29
Identifier: Subseries D
Scope and Contents
Mail list
Dates:
1996
L’Arch Jean Vanier May 1992 Catholic Sentinal, 1992-1995
File — Box: 3, Folder: 30
Identifier: Subseries D
Scope and Contents
From the Sub-Series:
Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates:
1992-1995