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Box 3

 Container

Contains 97 Results:

People in Motion II, 1996 Spring

 File — Box: 3, Folder: 31
Identifier: Subseries D
Scope and Contents

Oregon Public Broadcasting (OPB), Public Broadcasting Service (PBS)

Dates: 1996 Spring

Jose Brown, 1996 May 20

 File — Box: 3, Folder: 32
Identifier: Subseries D

Contact Quarterly Summer/Fall, 1996 May - 1996 October

 File — Box: 3, Folder: 33
Identifier: Subseries D
Scope and Contents

Images & clippings

Dates: 1996 May - 1996 October

Ricardo Morrison, 1996 May

 File — Box: 3, Folder: 34
Identifier: Subseries D

Labels, 1972-1996

 File — Box: 3, Folder: 35
Identifier: Subseries D
Scope and Contents

Labels for a Bob Crist show

Dates: 1972-1996

Exhibit - Vashon, 1996 March

 File — Box: 3, Folder: 36
Identifier: Subseries D
Scope and Contents From the Sub-Series: Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates: 1996 March

Tom Giebink, 1996 March

 File — Box: 3, Folder: 37
Identifier: Subseries D
Scope and Contents From the Sub-Series: Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates: 1996 March

Diverse Dance Research Retreat, 1996

 File — Box: 3, Folder: 38
Identifier: Subseries D
Scope and Contents From the Sub-Series: Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates: 1996

Buen Viaje Dancers, 1996

 File — Box: 3, Folder: 39
Identifier: Subseries D
Scope and Contents From the Sub-Series: Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates: 1996

Danceability - Joint Forces, 1996

 File — Box: 3, Folder: 40
Identifier: Subseries D
Scope and Contents From the Sub-Series: Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates: 1996