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Box 3

 Container

Contains 97 Results:

Trying to Make Sense of the War - The Baltimore Sun, 1995 December 24

 File — Box: 3, Folder: 51
Identifier: Subseries D
Scope and Contents From the Sub-Series: Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates: 1995 December 24

A Day of Prayer and Joy - The Baltimore Sun, 1995 October 9

 File — Box: 3, Folder: 52
Identifier: Subseries D
Scope and Contents From the Sub-Series: Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates: 1995 October 9

Children of the Kobe Quake - Los Angeles Times, 1995 February 28

 File — Box: 3, Folder: 53
Identifier: Subseries D
Scope and Contents From the Sub-Series: Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates: 1995 February 28

Chiaki Photo Identification & Checklist, 1994 July 12

 File — Box: 3, Folder: 54
Identifier: Subseries D

Photos, 1993-1994

 File — Box: 3, Folder: 55
Identifier: Subseries D
Scope and Contents

From ‘Flesh of my Flesh’ project - 3 different reproductions of the photos

Dates: 1993-1994

Oregonian, 1994 May 21

 File — Box: 3, Folder: 56
Identifier: Subseries D
Scope and Contents

Clippings, xeroxes of articles about ‘Flesh of my Flesh’

Dates: 1994 May 21

Raindance Installation, 1984 May

 File — Box: 3, Folder: 57
Identifier: Subseries D
Scope and Contents

Xeroxes and original photos

Dates: 1984 May

Acknowledgement - Raindance, 1994 May

 File — Box: 3, Folder: 58
Identifier: Subseries D
Scope and Contents From the Sub-Series: Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates: 1994 May

Downtowner - Gallery Calendar, 1994 May 2

 File — Box: 3, Folder: 59
Identifier: Subseries D

Willamette Week, 1994 May 4-10

 File — Box: 3, Folder: 60
Identifier: Subseries D
Scope and Contents From the Sub-Series: Eyerly was always interested in the avant-garde and made a point to supply his time, as well as his resources, to groups that were on the cutting edge of the arts. One such group included artists with disabilities who aimed to challenge contemporary viewpoints about what it means to live with a disability and how artists with disabilities are able to express themselves. Chiaki Kawajiri, along with collaborators Emery Blackwell and Bonnie Dunn, created a series of photographs entitled “Flesh...
Dates: 1994 May 4-10