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Box 24

 Container

Contains 124 Results:

Bob Bollinger, The Oaks Amusement Park, 1970

 File — Box: 24, Folder: 31
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1970

Eyerly, Sharon-Rod Hill, 1961

 File — Box: 24, Folder: 32
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1961

Dusty Rhodes, "Yesterday's Hero", 1966

 File — Box: 24, Folder: 33
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1966

Flea Circus, 1966 February

 File — Box: 24, Folder: 34
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1966 February

Carl Hall, 1961

 File — Box: 24, Folder: 35
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1961

Ron Perkins, 54 Door Newsletter, 1997-1998

 File — Box: 24, Folder: 36
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1997-1998

Correspondence to Dana Illo about a Henk Pander Drawing, 1990-1999

 File — Box: 24, Folder: 37
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1990-1999

Oregon Humanities Winter, 1989

 File — Box: 24, Folder: 38
Identifier: Subseries I

Larry Kirkland, 1986 March 20

 File — Box: 24, Folder: 39
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1986 March 20

Will (Living Will and Testament), 1984-1986

 File — Box: 24, Folder: 40
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1984-1986