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Box 24

 Container

Contains 124 Results:

Cherry Switches Keyboards, 1989 December 29

 File — Box: 24, Folder: 61
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1989 December 29

Correspondence with Hazel Burns and Pauline Curry, 1973

 File — Box: 24, Folder: 62
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1973

Correspondence and Postcards with Mr. And Mrs. Harold Burns, 1977-1978

 File — Box: 24, Folder: 63
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1977-1978

Susan Shatter, Fischbach Gallery, New York, 1978 April-May

 File — Box: 24, Folder: 64
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1978 April-May

Miscellaneous Clippings, 1997

 File — Box: 24, Folder: 65
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1997

Photographs by H. Arthur Taussig, Camerawork Gallery, 1973 March-April

 File — Box: 24, Folder: 66
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1973 March-April

Bennett Norbo, 1976

 File — Box: 24, Folder: 67
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1976

Bennett Norbo, 1976 January

 File — Box: 24, Folder: 68
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1976 January

Byron Randall, 1960

 File — Box: 24, Folder: 69
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1960

James Balog, Anima, Photographic Image Gallery, 1993 November

 File — Box: 24, Folder: 70
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1993 November