Box 26
Container
Contains 99 Results:
Kathleen Kelly - Bonner, 1980-1981
File — Box: 26, Folder: 41
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1980-1981
Dick Kennedy, 1981-1989
File — Box: 26, Folder: 42
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1981-1989
Elida Kirk - Tacoma, 1981 May
File — Box: 26, Folder: 43
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1981 May
Klezmer, 1982
File — Box: 26, Folder: 44
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1982
Larry Kirkland, 1981-1982
File — Box: 26, Folder: 45
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1981-1982
Edith Kramer, 1972
File — Box: 26, Folder: 46
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1972
Edith Kramer Letter, 1976
File — Box: 26, Folder: 47
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1976
Krogstad, 1980
File — Box: 26, Folder: 48
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1980
Roger Kukes, 1982
File — Box: 26, Folder: 49
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1982
Rex Amos, 1980-1991
File — Box: 26, Folder: 50
Identifier: Subseries I
Scope and Contents
From around the time when Rex Amos was starting to be recognized as an artist, contains materials relating to Rex’s career in Portland, but to the arts in San Fransciso as well.
Dates:
1980-1991