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Box 30

 Container

Contains 94 Results:

Umpqua Valley Art Association, 1983-1984

 File — Box: 30, Folder: 39
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1983-1984

Miscellaneous Portland Art Museum/Association Documents, 1979-1980

 File — Box: 30, Folder: 40
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1979-1980

Bill Thomas / Charlotte Nickel, 1979

 File — Box: 30, Folder: 41
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1979

Coos Art Museum Mabel Hausen, 1985

 File — Box: 30, Folder: 42
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1985

Canon Beach Galleries - Oregon (The White Bird Gallery), 1974-1975

 File — Box: 30, Folder: 43
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1974-1975

Miscellaneous Loose Materials, 1979

 File — Box: 30, Folder: 44
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1979

Miscellaneous Loose Materials, 1979

 File — Box: 30, Folder: 45
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1979

Kaleidescope Canon Beach / Christ on the Cross with Four Holy Women, 1970-1985

 File — Box: 30, Folder: 46
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1970-1985

Miscellaneous Loose Materials, 1979

 File — Box: 30, Folder: 47
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1979

The Video Access Project (TVAP) Library Project, 1978

 File — Box: 30, Folder: 48
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1978