Box 33
Container
Contains 108 Results:
Hawaii, 2000-2009
File — Box: 33, Folder: 4
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2000-2009
Salem Airport, 2004
File — Box: 33, Folder: 5
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2004
Octopus, 2005
File — Box: 33, Folder: 6
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2005
“54 Door”, 2000-2005
File — Box: 33, Folder: 7
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2000-2005
Hiro Moriyasu, 2005 July 23
File — Box: 33, Folder: 8
Identifier: Subseries I
Scope and Contents
Relevant to Portland inventions in technology.
Dates:
2005 July 23
Experiments in Art and Technology (EAT), 2005
File — Box: 33, Folder: 9
Identifier: Subseries I
Scope and Contents
Contains notes on early EAT Portland members.
Dates:
2005
Film, 2001-2002
File — Box: 33, Folder: 10
Identifier: Subseries I
Scope and Contents
Relevant to Portland Art/Film Publications.
Dates:
2001-2002
People/Place, 2004
File — Box: 33, Folder: 11
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2004
Dan Howland, 1997-2004
File — Box: 33, Folder: 12
Identifier: Subseries I
Scope and Contents
Dan Howland has the first interview, but there are several other distinct sections 1) Dan Howland, 2) Anti-Faith articles, 3) Chain-emails.
Dates:
1997-2004
The Sunday Oregonian - Family Computting, 2005
File — Box: 33, Folder: 13
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2005