Box 33
Container
Contains 108 Results:
Oriental Screen, 2000-2009
File — Box: 33, Folder: 65
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2000-2009
Madona, 2000-2009
File — Box: 33, Folder: 66
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2000-2009
Handsome Prints, 1994-1996
File — Box: 33, Folder: 67
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1994-1996
Plane in Alaska, 1990-2009
File — Box: 33, Folder: 68
Identifier: Subseries I
Scope and Contents
Contains an image.
Dates:
1990-2009
City Fog, 2000-2009
File — Box: 33, Folder: 69
Identifier: Subseries I
Scope and Contents
Contains an image.
Dates:
2000-2009
Eyes, 2000-2009
File — Box: 33, Folder: 70
Identifier: Subseries I
Scope and Contents
Contains images.
Dates:
2000-2009
Redi Kilowatt, 2000-2009
File — Box: 33, Folder: 71
Identifier: Subseries I
Scope and Contents
Contains a color copy of a Pacific Power & Light Company Badge.
Dates:
2000-2009
Bridge, 2009
File — Box: 33, Folder: 72
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2009
Seattle Art Museum, 1960-1965
File — Box: 33, Folder: 89
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
1960-1965
Seattle Art Museum, 1960-1965
File — Box: 33, Folder: 90
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
1960-1965