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Box 21

 Container

Contains 109 Results:

Scott McIntire, 1981 April 9

 File — Box: 21, Folder: 91
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1981 April 9

Mt. Hood, 1975

 File — Box: 21, Folder: 92
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1975

Robert Pierce, 1981 April 10

 File — Box: 21, Folder: 93
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1981 April 10

Phil Perkins, 1978-1981

 File — Box: 21, Folder: 94
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1978-1981

Off the Wall - Northwest Film Study Center (NWFSC), 1981 April 2

 File — Box: 21, Folder: 95
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1981 April 2

Sound Stair, 1970-1985

 File — Box: 21, Folder: 96
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1970-1985

Paul Sutinen, 1981

 File — Box: 21, Folder: 97
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1981

Bill Will, 1981

 File — Box: 21, Folder: 98
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1981

African Village, 1977 August

 File — Box: 21, Folder: 99
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1977 August

John Sinclair - Firework, 1981 January-February

 File — Box: 21, Folder: 100
Identifier: Subseries I
Scope and Contents From the Sub-Series: Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates: 1981 January-February