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Box 19

 Container

Contains 26 Results:

Sketchbook notes by Erik Sandgren, 2016

 File — Box: 19, Folder: 1
Identifier: Series II
Scope and Contents From the Series:

Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."

Dates: 2016

Sketchbook (A. 1) - second half of first sabbatical to Europe, 1960

 File — Box: 19, Folder: 2
Identifier: Series II
Scope and Contents From the Series:

Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."

Dates: 1960

Sketchbook (A. 2), circa 1965

 File — Box: 19, Folder: 3
Identifier: Series II
Scope and Contents From the Series:

Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."

Dates: circa 1965

Sketchbook (A. 4), circa 1966

 File — Box: 19, Folder: 4
Identifier: Series II
Scope and Contents From the Series:

Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."

Dates: circa 1966

Sketchbook (A. 7) - second sabbatical to Spain, 1967

 File — Box: 19, Folder: 5
Identifier: Series II
Scope and Contents From the Series:

Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."

Dates: 1967

Sketchbook (A. 10), 1970-1971

 File — Box: 19, Folder: 6
Identifier: Series II
Scope and Contents From the Series:

Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."

Dates: 1970-1971

Sketchbook (A. 12) - European watercolor sketches, 1974-1987

 File — Box: 19, Folder: 7
Identifier: Series II
Scope and Contents From the Series:

Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."

Dates: 1974-1987

Sketchbook (A. 14), 1975-1976

 File — Box: 19, Folder: 8
Identifier: Series II
Scope and Contents From the Series:

Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."

Dates: 1975-1976

Sketchbook (A. 15), 1978-1979

 File — Box: 19, Folder: 9
Identifier: Series II
Scope and Contents From the Series:

Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."

Dates: 1978-1979

Sketchbook (A. 17), 1982-1983

 File — Box: 19, Folder: 10
Identifier: Series II
Scope and Contents From the Series:

Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."

Dates: 1982-1983