Box 19
Contains 26 Results:
Sketchbook notes by Erik Sandgren, 2016
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 1) - second half of first sabbatical to Europe, 1960
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 2), circa 1965
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 4), circa 1966
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 7) - second sabbatical to Spain, 1967
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 10), 1970-1971
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 12) - European watercolor sketches, 1974-1987
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 14), 1975-1976
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 15), 1978-1979
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 17), 1982-1983
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."