Box 19
Contains 26 Results:
Sketchbook (A. 18), 1984-1986
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 20), circa 1986
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 22), 1987
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 23), 1988-1994
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 24), 1989
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 25) - Greece, 1990
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 26), 1990-1992
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 27), 1991
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 28), 1992
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."
Sketchbook (A. 29) - Greece, 1993
Nelson Sandgren said of his sketchbooks in 1995: "In spite of the carelessness of the work (and sometimes very faulty drawing) I consider these many sketchbooks an important part of what I do. Many of the sketches never go further with me. In fact most. But a few generate prints or paintings, oils or monoprints and sometimes lithographs. One shouldn't be decieved, however, that any of the sketches are full fledged paintings - or nearly so! There's enough of that out there in these 1900s."