Box 60
Container
Contains 36 Results:
Carny (printed article - research for Eyerly's Oregon Historic Amusement Rides project), 1974
File — Box: 60, Folder: 34
Identifier: Series IV
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
1974
OOAP - Organization of Outdoor Amusement Parks (research for Eyerly's Oregon Historic Amusements Rides project), circa 1969
File — Box: 60, Folder: 35
Identifier: Series IV
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
circa 1969
Carnival (research for Eyerly's Oregon Historic Amusement Rides project - OHARP), 1983 July
File — Box: 60, Folder: 36
Identifier: Series IV
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
1983 July
Mt. Angel College - exhibition and play production brochures, circa 1966
File — Box: 60, Folder: 1
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
circa 1966
Mt. Angel College - Spaceangel workshop, circa 1971-1972
File — Box: 60, Folder: 2
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
circa 1971-1972
Portland Art Museum - Oregon Filmmakers, 1972
File — Box: 60, Folder: 3
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
1972
Pentacle Theatre (tickets), undated
File — Box: 60, Folder: 4
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
undated
Pentacle Theatre (tryouts correspondence), circa 1959-1966
File — Box: 60, Folder: 5
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
circa 1959-1966
Pentacle Theatre (Bob Crist photographs exhibit fliers and brochures), circa 1964
File — Box: 60, Folder: 6
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
circa 1964
Pentacle Theatre (Eyerly notes), undated
File — Box: 60, Folder: 7
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
undated