Box 88
Container
Contains 81 Results:
Photocopy photograph, sent from Jack Eyerly to Marcia Douglas, undated
File — Box: 88, Folder: 79
Identifier: Series V
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
undated
Barry Johnson (The Oregonian Arts reporter), circa 2009
File — Box: 88, Folder: 80
Identifier: Series V
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
circa 2009
Norma Heyser (newspaper clippings and correspondence), 2009
File — Box: 88, Folder: 81
Identifier: Series V
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
2009
Piano Mandolin, undated
File — Box: 88, Folder: 1
Identifier: Subseries A
Scope and Contents
From the Sub-Series:
This subseries contains documents specific to Jack Eyerly that were donated after the rest of the materials in this collection. The papers in this subseries reflect Eyerly’s interests in his genealogy, art writing, and Northwest art. It also holds pieces of memorabilia such as Polly Eyerly’s nameplate from her time as the Curatrix of Education at the Portland Art Museum, photos of Jack Eyerly wearing an Experiments with Art and Technology button shortly after his founding the Portland...
Dates:
undated
Gleason at Bush Murals at Salem High, 1938-2007
File — Box: 88, Folder: 2
Identifier: Subseries B
Scope and Contents
From the Sub-Series:
Clifford Gleason was an artist of significant note before his death in 1978. Gleason was a student and collaborator of Louis Bunce during the Works Progress Administration era, and would go on to be a long-term teacher at the Museum Art School in Portland, now the Pacific Northwest College of Art. As a student of Bunce, Gleason was one of the early abstract painters of the Northwest and was well known for his paintings, drawings, and murals. In this subseries there are documents relevant to...
Dates:
1938-2007
Toedtemeier (Terry Toedtemeier, Portland Art Museum photography curator), 1947-2008
File — Box: 88, Folder: 3
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1947-2008
Louis Bunce and Jon, 1962
File — Box: 88, Folder: 4
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1962
Igasho and other stories, wirtten and drawn by Kalah Allen, 2000
File — Box: 88, Folder: 5
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2000
Public Art and Raymond (Raimonds) Staprans, Salem YMCA, 2000-2009
File — Box: 88, Folder: 6
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2000-2009
Ken Kesey (newspaper clippings), 2008
File — Box: 88, Folder: 7
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
2008