Box 88
Container
Contains 81 Results:
Carl Morris (exhibit pamphlets), 1952-1960
File — Box: 88, Folder: 28
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1952-1960
Tom Hardy, 1978
File — Box: 88, Folder: 29
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1978
Bob Crist, undated
File — Box: 88, Folder: 30
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
undated
Bonnie Bronson, 1979-2003
File — Box: 88, Folder: 31
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1979-2003
WE, A Concrete Poem by William Benton, 1970
File — Box: 88, Folder: 32
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1970
Beth Fagan (Jane Allen), 1963
File — Box: 88, Folder: 33
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1963
Mad Bomber's Notebook or AEKology Hanbook, a story by Walt Curtis, 1974
File — Box: 88, Folder: 34
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1974
Miscellaneous gallery and organization exhibit materials, circa 1980s
File — Box: 88, Folder: 35
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
circa 1980s
Miscellaneous gallery and organizations brochuresm fliers, and catalogs, 1964-1981
File — Box: 88, Folder: 36
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
1964-1981
Miscellaneous exhibit fliers, 1960-2010
File — Box: 88, Folder: 37
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
1960-2010