Box 91
Container
Contains 32 Results:
Clifford Gleason (notecards documenting Clifford Gleason's art work) (folder 1 of 2), undated
File — Box: 91, Folder: 1
Identifier: Subseries B
Scope and Contents
From the Sub-Series:
Clifford Gleason was an artist of significant note before his death in 1978. Gleason was a student and collaborator of Louis Bunce during the Works Progress Administration era, and would go on to be a long-term teacher at the Museum Art School in Portland, now the Pacific Northwest College of Art. As a student of Bunce, Gleason was one of the early abstract painters of the Northwest and was well known for his paintings, drawings, and murals. In this subseries there are documents relevant to...
Dates:
undated
Clifford Gleason (notecards documenting Clifford Gleason's art work) (folder 2of 2), undated
File — Box: 91, Folder: 2
Identifier: Subseries B
Scope and Contents
From the Sub-Series:
Clifford Gleason was an artist of significant note before his death in 1978. Gleason was a student and collaborator of Louis Bunce during the Works Progress Administration era, and would go on to be a long-term teacher at the Museum Art School in Portland, now the Pacific Northwest College of Art. As a student of Bunce, Gleason was one of the early abstract painters of the Northwest and was well known for his paintings, drawings, and murals. In this subseries there are documents relevant to...
Dates:
undated
Miscellaneous gallery and exhibit fliers, brochures, and pamphlets, 1975-1986
File — Box: 91, Folder: 3
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1975-1986
Colescott (Robert) d. 6.4.09 (Robert Colescott newspaper articles), undated
File — Box: 91, Folder: 4
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
undated
PAM (Portland Art Museum) Bienial (notecards with contact information) (folder 1 of 2), undated
File — Box: 91, Folder: 5
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
undated
PAM (Portland Art Museum) Bienial (notecards with contact information) (folder 2 of 2), undated
File — Box: 91, Folder: 6
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
undated
MATRIX, Vancouver BC, File from Jan. 21, 1972 "lineal list" according to city, state-province, country (folder 1 of 2), 1972 January 21
File — Box: 91, Folder: 7
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
1972 January 21
MATRIX, Vancouver BC, File from Jan. 21, 1972 "lineal list" according to city, state-province, country (folder 2 of 2), 1972 January 21
File — Box: 91, Folder: 8
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
1972 January 21
Bush House (photographs of Jack Eyerly with Bush Barn model), circa 1959
File — Box: 91, Folder: 9
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
circa 1959
Summer classes (Salem Art Museum - Bush House Summer programming documentation), circa 1959
File — Box: 91, Folder: 10
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
circa 1959