Box 104
Container
Contains 72 Results:
Salem, 1992
File — Box: 104, Folder: 61
Identifier: Series IV
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
1992
Salem High School, Class of 1954, 1991
File — Box: 104, Folder: 62
Identifier: Series IV
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
1991
Art (various art articles and notes by Jack Eyerly), 1988
File — Box: 104, Folder: 65
Identifier: Series IV
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
1988
% Art (Percent for Art research), 1989
File — Box: 104, Folder: 69
Identifier: Series IV
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
1989
Nancy Lindburg (correspondence), 1981
File — Box: 104, Folder: 67
Identifier: Series V
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
1981
Miscellaneous correspondence, 1960-1996
File — Box: 104, Folder: 72
Identifier: Series V
Scope and Contents
From the Collection:
The Jack Eyerly collection encompasses seven decades of notes, correspondence, artists’ papers, gallery showcards, posters, artworks, sketchbooks, and other assorted pieces of historical material exchanged between Eyerly and artists from across the Northwest and beyond. With more than 200 artists represented in the collection, there is a clear sense that Eyerly crafted this archive over his lifetime with the goal of establishing a definitive catalogue of Northwest artists that touches upon...
Dates:
1960-1996
Ronald Wigginton poetry, 1968-1976
File — Box: 104, Folder: 70
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1968-1976
Jar of Pennies: A Story by Kalah Allen, undated
File — Box: 104, Folder: 71
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
undated
Salem Art Association, 1978
File — Box: 104, Folder: 1
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
1978
Silver Image, 1979-1980
File — Box: 104, Folder: 2
Identifier: Series II
Scope and Contents
From the Series:
Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates:
1979-1980
