Box 106
Container
Contains 50 Results:
The Paletteers proudly present "HAW!", Salem High humor annual, 1953-1954
File — Box: 106, Folder: 1
Identifier: Subseries A
Scope and Contents
From the Sub-Series:
This subseries contains documents specific to Jack Eyerly that were donated after the rest of the materials in this collection. The papers in this subseries reflect Eyerly’s interests in his genealogy, art writing, and Northwest art. It also holds pieces of memorabilia such as Polly Eyerly’s nameplate from her time as the Curatrix of Education at the Portland Art Museum, photos of Jack Eyerly wearing an Experiments with Art and Technology button shortly after his founding the Portland...
Dates:
1953-1954
"Staprans" (Clifford Gleason Blackfish exhibit mailer), 1985
File — Box: 106, Folder: 2
Identifier: Subseries B
Scope and Contents
From the Sub-Series:
Clifford Gleason was an artist of significant note before his death in 1978. Gleason was a student and collaborator of Louis Bunce during the Works Progress Administration era, and would go on to be a long-term teacher at the Museum Art School in Portland, now the Pacific Northwest College of Art. As a student of Bunce, Gleason was one of the early abstract painters of the Northwest and was well known for his paintings, drawings, and murals. In this subseries there are documents relevant to...
Dates:
1985
Trudy Kazlov (correspondence about Brian Kazlov), 2003
File — Box: 106, Folder: 3
Identifier: Subseries E
Scope and Contents
From the Sub-Series:
Brian Kazlov was a young painter originally from the Midwest who moved between New York City and the Pacific Northwest, all the while making new works. Kazlov was an abstract painter and showcased his works at various galleries in both New York and Oregon. Eventually, he settled down into a home on the Oregon coast in a small community north of Florence, Oregon. During his time at his coastal home, he worked on his paintings alongside his wife, and fellow artist, Luthera (Lu) Stone-Kazlov...
Dates:
2003
Brian Kazlov photograph and photocopies of photographs, undated
File — Box: 106, Folder: 4
Identifier: Subseries E
Scope and Contents
From the Sub-Series:
Brian Kazlov was a young painter originally from the Midwest who moved between New York City and the Pacific Northwest, all the while making new works. Kazlov was an abstract painter and showcased his works at various galleries in both New York and Oregon. Eventually, he settled down into a home on the Oregon coast in a small community north of Florence, Oregon. During his time at his coastal home, he worked on his paintings alongside his wife, and fellow artist, Luthera (Lu) Stone-Kazlov...
Dates:
undated
Brian Kazlov (obituary and photograph), 1991
File — Box: 106, Folder: 5
Identifier: Subseries E
Scope and Contents
From the Sub-Series:
Brian Kazlov was a young painter originally from the Midwest who moved between New York City and the Pacific Northwest, all the while making new works. Kazlov was an abstract painter and showcased his works at various galleries in both New York and Oregon. Eventually, he settled down into a home on the Oregon coast in a small community north of Florence, Oregon. During his time at his coastal home, he worked on his paintings alongside his wife, and fellow artist, Luthera (Lu) Stone-Kazlov...
Dates:
1991
Brian Kozlov exhibit show cards and photographs or artwork, circa 1985-1990
File — Box: 106, Folder: 6
Identifier: Subseries E
Scope and Contents
From the Sub-Series:
Brian Kazlov was a young painter originally from the Midwest who moved between New York City and the Pacific Northwest, all the while making new works. Kazlov was an abstract painter and showcased his works at various galleries in both New York and Oregon. Eventually, he settled down into a home on the Oregon coast in a small community north of Florence, Oregon. During his time at his coastal home, he worked on his paintings alongside his wife, and fellow artist, Luthera (Lu) Stone-Kazlov...
Dates:
circa 1985-1990
Julian Levy (exhibit materials), 1977
File — Box: 106, Folder: 7
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1977
Robert Rauschenberg Commissioned and Carnal Clocks show cards, 1969
File — Box: 106, Folder: 8
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1969
Alke Asmar prints, 1960
File — Box: 106, Folder: 9
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1960
"Morning Dream" (poetry and statement by unknown author), 1972 December 18
File — Box: 106, Folder: 10
Identifier: Subseries I
Scope and Contents
From the Sub-Series:
Comprising the bulk of the artists’ series, these boxes cover a wide variety of subjects, people, and places that Eyerly was in contact with. The items within the boxes maintain their original order left by Eyerly, reflecting his design and construction of these papers over time. In many cases these items are in a dialogue with each other over the course of a box and create a narrative of the interactions between artists and groups over time. Throughout the subseries many artists appear...
Dates:
1972 December 18