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Box 107

 Container

Contains 47 Results:

Calendar (Bush Barn), 1959-1961

 File — Box: 107, Folder: 1
Identifier: Series II
Scope and Contents From the Series: Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates: 1959-1961

Community Calendar Correspondence (Bush House), circa 1962

 File — Box: 107, Folder: 2
Identifier: Series II
Scope and Contents From the Series: Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates: circa 1962

Citizens' Conference for Governmental Cooperation (Bush House), 1959

 File — Box: 107, Folder: 3
Identifier: Series II
Scope and Contents From the Series: Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates: 1959

(Bush House) Evening Classes, 1959-1961

 File — Box: 107, Folder: 4
Identifier: Series II
Scope and Contents From the Series: Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates: 1959-1961

(Bush House) Flea Market, Salem Armory, 1960 March 26

 File — Box: 107, Folder: 5
Identifier: Series II
Scope and Contents From the Series: Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates: 1960 March 26

(Bush House) Centennial Painting Exhibition Port, 1959

 File — Box: 107, Folder: 6
Identifier: Series II
Scope and Contents From the Series: Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates: 1959

(Bush House) Membership, circa 1960s

 File — Box: 107, Folder: 7
Identifier: Series II
Scope and Contents From the Series: Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates: circa 1960s

(Bush House) SAS (Salem Art Association) Financial Meetings Rules, 1958-1961

 File — Box: 107, Folder: 8
Identifier: Series II
Scope and Contents From the Series: Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates: 1958-1961

(Bush House) Insurance, undated

 File — Box: 107, Folder: 9
Identifier: Series II
Scope and Contents From the Series: Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates: undated

(Bush House) Annual Meeting and Reports, 1960-1961

 File — Box: 107, Folder: 10
Identifier: Series II
Scope and Contents From the Series: Along with individual artists, Eyerly was well connected with the many organizations that were both composed and in support of artists throughout the Northwest. Eyerly was committed not only to artists on a personal level but also to connecting artists with the resources that they needed to be effective in realizing their goals. Eyerly was involved with organizations of all scales from large groups devoted to the arts, such as the National Endowment for the Arts, to smaller,...
Dates: 1960-1961